SgtrAiArt

Hey everyone, After a long stretch of editorial silence that lasted half the summer (…because I’m neither a blogger nor a journalist), I’m back to share some thoughts on the latest developments in the world of AI. The tough season of reaping has come to an end, leaving a bittersweet taste for many, each of Go To ->

Pigments in Roman, Medieval, and Renaissance Art 1. Roman Pigments (Pompeii, 3rd Century BCE – 79 CE) The frescoes of Pompeii showcase a vibrant palette, primarily using natural pigments extracted from minerals and organic materials, with Egyptian Blue as the only synthetic pigment. Techniques included fresco (pigments applied on wet plaster) and encaustic (wax-based painting). Go To ->

Hey everyone, It’s been a while, I know. But as it often happens, life gets in the way… and let’s be honest, sometimes it’s hard to fight our own neurons 😊. I wanted to take a moment to talk about something that I believe is going to be crucial—especially for those of us looking to Go To ->